The iPhone 11 and iPhone 11 Professional pack unimaginable cameras, and their photos have already impressed us in our opinions and our digital camera checks in San Francisco and . I’ve even gone as far as to name the iPhone 11 Professional a DSLR substitute in some pictures. However what about for video?
To search out out if it could maintain its personal as an expert video device, I challenged our sister model, Carfection, to supply a video shot totally on the iPhone 11 Professional. This would not be some fast, tough vlog thoughts you — Carfection has received quite a few awards for its beautiful cinematic fashion, unimaginable videography expertise and excessive manufacturing worth. I needed to see how shut the group may get to that very same commonplace utilizing simply the iPhone.
Carfection accepted the problem and on a chilly, misty morning within the coronary heart of the New Forest Nationwide Park in southern England, I met Carfection producers Charlie Rose, George Peck and Drew Stearne, who could be presenting on digital camera. Our topic was a Ford Mustang Bullitt; a forest-green V8-powered burly muscle automobile. You’ll be able to see the video beneath:
After filming wrapped up, I caught up with Rose to debate what he considered the taking pictures course of and the way they achieved the completed consequence. Observe that Rose’s responses are edited for size and readability.
General, how did you discover the telephone?
It was spectacular. It is the primary time I’ve had my palms on the iPhone 11 Professional and it is the primary time I’ve tried to do one thing so in-depth on a telephone of any type. The three cameras gave plenty of versatility.
It was tough at instances as a result of I am not used to taking pictures with one thing so small; I often use one thing a lot greater — DSLRs like our Panasonic GH5 and even greater cameras like our Sony FS7. We regularly use effectively over £20,000 of apparatus [the equivalent of around $26,000 or AU$37,000] on a shoot.
What different hardware did you employ?
We used lenses by Second, in addition to a few of Second’s filters that simply screw onto the entrance with an adapter. We additionally used our identical sliders, tripods and stabilizing gimbals we often use, all of which allowed us to recreate the identical cinematic maneuvers we might carry out with our regular gear.
I needed to make a bit rig to heart the lens on the tripod — it is all the time tougher for those who’re taking pictures and your lens is off-center. However my little rig positioned the lens straight above the tripod. We weren’t recording sound by the telephone, so we had a separate microphone and audio recorder.
What was the largest drawback you discovered with the hardware?
We had some usability points with the digital camera app on the telephone. I am used to having buttons for all the things or an enormous focus wheel to maneuver the main target level. On the iPhone it is only a large touchscreen and it does get fiddly altering all the things by tapping on a small icon on a display screen. That is significantly tough after we have been taking pictures at a low angle and it is tough to see the display screen.
We tried utilizing a second iPhone [an iPhone XS Max] as a second show for monitoring, utilizing Filmic’s companion app. It mirrors the feed from the app on the primary telephone. However there was an enormous delay between the 2 telephones, which made it very tough to make use of.
How did you discover working with the Filmic Professional software program on the iPhone?
General it is spectacular. The truth that on an iPhone, you may change up all of your taking pictures settings — ISO, white stability, shutter pace, handbook focussing — is wonderful. I by no means would have anticipated to have the ability to do this sort of stuff on a telephone. However it’s fiddly to make use of.
We additionally had just a few stability issues, which have been irritating. We had to make use of the second display screen app a number of instances as we have been taking pictures at angles the place we merely could not attain in and alter settings on the primary telephone. However each time we tried to alter the ISO, the app would crash on the primary iPhone. After we restarted the app, solely a few of the settings would keep the identical, however others — together with white stability — had modified. That occurred about six instances.
Should you overlook to alter these settings again to what you want, it’s going to actually mess up your footage. On some shoots we now have a extremely restricted period of time with the automobiles — generally only some hours — so if we now have errors like this that delay our filming, it is an actual drawback.
After seeing footage from the telephone, how do you suppose it compares with what you’d usually get?
I am a bit divided over the footage. In nice lighting, just like the daylight we had for a lot of the morning, it seemed wonderful. You would not have the ability to inform that it was shot on an iPhone.
The car-to-car footage [where the Mustang is driving behind our crew car, being filmed], for instance; the dynamic vary is unimaginable, contemplating it is from a telephone digital camera. However as quickly as we began getting nearer on a few of the particulars, the noise within the shadows from the processing turned extra noticeable.
You additionally do not get the identical depth of subject you’d have the ability to obtain with an enormous picture sensor. That is an enormous giveaway that what you are is shot on an iPhone. It is tough to get that cinematic look.
Would you ever count on to make use of the iPhone 11 Professional in your skilled workflow?
In the intervening time I can not see us utilizing it commonly on a shoot. I see it as a possible fallback for those who had main tools failures. It undoubtedly cannot change our higher-end cameras with greater sensors. However I am undecided that’ll ever be the case with a telephone until they launched an enormous sensor that gave that depth of subject for video.
I see it as a digital camera that I might 100% use in these emergency conditions the place all of the gear is packed away and there is only one final shot we have to get and time is in opposition to us. I would completely use the iPhone to seize that ultimate shot and I would not have a difficulty about utilizing that within the ultimate movie.
It has been enjoyable to attempt it out and I feel lots of people will watch it on a smaller display screen anyway, so they will not see these tremendous particulars and will not discover that it was shot on a telephone. Additionally, the very fact I have been in a position to course of the footage, decreasing the noise and stabilizing a few of the pictures, additionally helps quite a bit.
I feel it’s a success from my standpoint, however we’ll have to attend and see what the feedback are like and whether or not folks can inform — and even care — that it has been shot on a telephone.